Artist inspiration and artist influences. No biographies, dates or scholarly research here - this is a personal response to the work of Tom Thomson by Australian artist Fiona Morgan.
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| After the Sleet Storm |
It's only quite recently that I have become aware of the paintings of Canadian artist Tom Thomson.
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| Algonquin Park |
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| Decorative Landscape Birches |
Apparently he holds legendary status in Canada in a similar way to
Tom Roberts here in Australia. His paintings were done at a culturally important time for the nation and manage to embody a kind of national spirit. Not being Canadian I did not see or feel this when I discovered his paintings, it's something that has been brought to my attention in research. Instead I was instantly grabbed by three standout elements of his work.
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| Early Spring |
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| Early Spring |
Pattern. Many artists rearrange what they see in front of them to form a pleasing composition (and this is something many amateurs don't seem to understand). Tom Thomson takes this to a greater extreme than most, actually making it a feature instead of a subtle way to improve a painting.
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| Evening, Canoe Lake |
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| In the Northland |
The patterns are the strongest design element. There are shades of Japanese design and Art Nouveau in his arrangements. The patterning is so strong that you can change the colours in his images and the overall design stays strong. The patterns are so strong and such a feature that they become decorative. I mean this as a compliment, not in a snooty nosed derisive manner. I love the decorativeness of his patterns, the way he has rearranged the landscape before him into beautiful shapes.
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| Maple Saplings |
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| Northern River |
Apparently he was a self taught painter, with a background as a graphic designer. His era was the early 1900's, when graphic design was illustration and poster design. It was a goldern era for illustration, where high technical skill was normal and the ability to compose or design in an eye-grabbing manner and lead the viewers eye around, was expected. I see a strong similarity between the poster design of the era, and the design of his paintings. It's a large part of my admiration for his work.
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| Pine Trees at Sunset |
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| Sombre Day |
Colour. The way Tom Thomson uses or chooses colour makes me swoon. Restricted palette. Subtle groups of related colours. Bright yet not dancing around with it's pants off. Wonderful contrasts of lights and darks. I am working toward somewhat toning down my palette, and I consider the balance he has found to be an ideal to work towards.
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| Spring Algonquin |
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| The Birch Grove, Autumn |
Texture. Something I love when I discover it and would like to do more of myself is putting texture in the paint. This is a hallmark of Van Gogh's work, and also an aspect I admire of
Criss Canning's paintings. The brushstrokes are part of the patterning. The paint is highlighted. His works are paintings, not images.
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| The Drive |
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| The Pool |
To me his work is so strong and compelling that I had great difficulty in choosing which paintings to include in this post. His work completely knocked me out when I first discovered it, which is not something that happens often anymore. And funnily enough, this painter has once again highlighted to me my soft spot for landscape paintings. Hmmm....
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| Woodland Waterfall |
More Tom Thomson links
http://www.tomthomson.org/
http://en.wikipedia.org/wiki/Tom_Thomson
About the Creative Cauldron series of posts
The Creative Cauldron series of posts explores and showcases the visual styles, techniques, attitudes, ideas, artists and paintings that have had the most impact on me.
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