Artist inspiration and artist influences. No biographies, dates or scholarly research here -  this is a personal response to the work of Mark Ryden by Australian artist Fiona Morgan.

Jessicas Hope

It is said that at times, Mark Ryden paints with a magnifying glass. You can certainly see the fineness of detail in his paintings. They are masterfully polished. While I do not aspire to be this obsessive over detail, I certainly admire the results and the discipline it takes to do this.

Fur Girl

While there are many fans of classical painting techniques, it seems to me that most of these people are recreating old style paintings as well. Part of what I like about Mark Ryden's work is his blending of time proven and masterfully accomplished classical painting technique with a very modern outlook. What century are we in anyway?

Incarnation

Like Joe Sorren, Mark Ryden's work is considered to be pop surrealism. It's full of contemporary cultural references. To say it's imaginative is an understatement. It's quirky and surreal. It's full of juxtapostitions. There's often a heavy dose of nostalgia and innocence.

Bjork

Little Boy Blue

The bit that I enjoy the most is the way his work references archetypes and myths (a bit of a recurring theme in the art I enjoy).

Santa Worm

The paintings themselves are beautiful. Full of subtle colour, soft lighting and idealised rendering. He seems to work in themes. Each painting in a show is very strongly linked to all the others and each show is quite distinct to every other show.

Tears

Although I haven't been to one of his shows, from what I can tell he (or whoever handles his publicity) is masterful at creating hype and getting fans to queue around the block for hours for the privilege of viewing the drama - almost theatre - of one of these tightly themed and immaculately presented shows. It's quite incredible.

Yoshi

More Mark Ryden links

official site: http://www.markryden.com/
http://www.facebook.com/Mr.Ryden
http://en.wikipedia.org/wiki/Mark_Ryden

The Creative Cauldron series of posts explores and showcases the visual styles, techniques, attitudes, ideas, artists and paintings that have had the most impact on me. 

The rest of the series is accessible via the Creative Cauldron page. Have a meander if you please, and remember to check out my artworks on Flickr, and have an insider peek at life as an artist on Facebook.

Artist inspiration and artist influences. No biographies, dates or scholarly research here - this is a personal response to the work of Joe Sorren by Australian artist Fiona Morgan.

Joe Sorren is a US based artist actually only a few years older than me, but who has a head start in painting by, oh, 20 years or something. I've admired his work for a number years on a number of different points, which I'll get to shortly.

But first I want to mention lowbrow art and pop surrealism. If you've come across either Juxtapoz or Hi-Fructose magazine, you'll know what I'm referring to. This lowbrow genre of contemporary art is their specialty. It's very influenced by pop and street culture. Go check it out. From Wikipedia, "lowbrow art describes an underground visual art movement that arose in the Los Angeles, California, area in the late 1970s. Lowbrow is a widespread populist art movement with origins in the underground comix world, punk music, hot-rod street culture, and other subcultures."

Because of Toast

Pop surrealism is related to lowbrow, but separate from it.  While obviously taking some influence from surrealism and the idea of dreamscapes and the unconscious, pop surrealism seems somehow more accessible to me. More endearing. Often sweet with a dash of the creepies. The mood seems to tend to be ethereal. Perhaps I find it attractive because the style is from artists my own age with similar backgrounds.

The Mushroom Hunter

So the diversion into talking about these style is to put a little bit of context around Joe Sorren's work. His art often considered to be in the pop surrealism genre, but, but, but, at the same time he is often considered to have a one-of-a-kind style. This may be due to the fact that he doesn't take much notice of the art world around him. Something I quite admire.

How does he work then? "I usually enter a painting with no ideas, and just begin applying paint to see what arrives. I find art to be most engaging when I am surprising myself. As long as I stay open for whatever to arrive, anything can show up for dinner." Thanks SpearTalks for the interview quote. Sounds like the unconscious at work to me, which is one way that I too enjoy working.

Lilley Anne and the Fish Parade

And what else do I see in these artworks? On a technical note, I love his colour and brushwork. Even if the scenes weren't as interesting as they are, there is so much going on to be mesmerised by for someone who loves texture and colour. Oh, have you noticed the luminosity? Good grief I want to learn how to do that!

Of course there is the crazy wee characters. Unique and enjoyable. However the final element I enjoy in Joe Sorren's art is the sense of slowed time. To me, each painting just quietly holds an intimate internal moment. There's no shouting or easy explanations, just a mood to imbibe.

Cats in Space

 

More Joe Sorren links

If you like the pix you see here, I highly recommend getting this book on Joe Sorren's art:

In Celebration of Balance & Opposable Thumbs

It's a few years old now, but it's one of my personal favourites on the art shelf.

Official site: http://www.joesorren.com

The Creative Cauldron series of posts explores and showcases the visual styles, techniques, attitudes, ideas, artists and paintings that have had the most impact on me. 

The rest of the series is accessible via the Creative Cauldron page. Have a meander if you please, and remember to check out my artworks on Flickr, and have an insider peek at life as an artist on Facebook.