Artist inspiration and artist influences. No biographies, dates or scholarly research here -  this is a personal response to the work of Tom Thomson by Australian artist Fiona Morgan.

After the Sleet Storm

It's only quite recently that I have become aware of the paintings of Canadian artist Tom Thomson.

Algonquin Park

Decorative Landscape Birches

Apparently he holds legendary status in Canada in a similar way to Tom Roberts here in Australia. His paintings were done at a culturally important time for the nation and manage to embody a kind of national spirit. Not being Canadian I did not see or feel this when I discovered his paintings, it's something that has been brought to my attention in research. Instead I was instantly grabbed by three standout elements of his work.

Early Spring

Early Spring

Pattern. Many artists rearrange what they see in front of them to form a pleasing composition (and this is something many amateurs don't seem to understand). Tom Thomson takes this to a greater extreme than most, actually making it a feature instead of a subtle way to improve a painting.

Evening, Canoe Lake

In the Northland

The patterns are the strongest design element. There are shades of Japanese design and Art Nouveau in his arrangements. The patterning is so strong that you can change the colours in his images and the overall design stays strong. The patterns are so strong and such a feature that they become decorative. I mean this as a compliment, not in a snooty nosed derisive manner. I love the decorativeness of his patterns, the way he has rearranged the landscape before him into beautiful shapes.

Maple Saplings

Northern River

Apparently he was a self taught painter, with a background as a graphic designer. His era was the early 1900's, when graphic design was illustration and poster design. It was a goldern era for illustration, where high technical skill was normal and the ability to compose or design in an eye-grabbing manner and lead the viewers eye around, was expected. I see a strong similarity between the poster design of the era, and the design of his paintings. It's a large part of my admiration for his work.

Pine Trees at Sunset

Sombre Day

Colour. The way Tom Thomson uses or chooses colour makes me swoon. Restricted palette. Subtle groups of related colours. Bright yet not dancing around with it's pants off. Wonderful contrasts of lights and darks.  I am working toward somewhat toning down my palette, and I consider the balance he has found to be an ideal to work towards.

Spring Algonquin

The Birch Grove, Autumn

Texture. Something I love when I discover it and would like to do more of myself is putting texture in the paint. This is a hallmark of Van Gogh's work, and also an aspect I admire of Criss Canning's paintings. The brushstrokes are part of the patterning. The paint is highlighted. His works are paintings, not images.

The Drive

The Pool

To me his work is so strong and compelling that I had great difficulty in choosing which paintings to include in this post. His work completely knocked me out when I first discovered it, which is not something that happens often anymore. And funnily enough, this painter has once again highlighted to me my soft spot for landscape paintings. Hmmm....

Woodland Waterfall

More Tom Thomson links

http://www.tomthomson.org/
http://en.wikipedia.org/wiki/Tom_Thomson

The Creative Cauldron series of posts explores and showcases the visual styles, techniques, attitudes, ideas, artists and paintings that have had the most impact on me. 

The rest of the series is accessible via the Creative Cauldron page. Have a meander if you please, and remember to check out my artworks on Flickr, and have an insider peek at life as an artist on Facebook.

Artist inspiration and artist influences. No biographies, dates or scholarly research here - this is a personal response to the work of Fred Williams by Australian artist Fiona Morgan.

 

There are some hills just outside Bacchus Marsh as I drive to Melbourne from Ballan that look like the quintessential Fred Williams landscape. High horizon, sparse squiggly-dot trees, textured, muted tones. I love driving past it. It's like seeing the essence of what he achieved in his painting reflected back on a grand scale in life. A giant living version of how he saw the views.

 

‘In Australia there is no focal point. Obviously it was too good a thing for me to pass up.’ Rather than adopting conventional perspective, space is flattened and tilted towards the viewer, implying the microcosm within the macrocosm and an aerial viewpoint. From his retrospective at the NGA.

Wikipedia:

His interest in finding an aesthetic 'language' with which to express the very un-European Australian landscape. This was grounded in establishing a pictorial equivalent to the overwhelmingly vast, primarily flat landscape, in which the traditional European relationship of foreground to background breaks down, necessitating a complete re-imagining of compositional space. In this, Williams looked to the approach taken by Australian Aboriginal artists.

He managed to achieve the completely new way of representing the landscape (no small accomplishment) that he aimed for and his paintings are instantly recognisable from across a room because of it. 

 

The influence of Aboriginal art is always apparent in the dots and pattern, the earthy muted tones, the aerial like view.

His artwork has a texture and life that is breathtaking in real life. These small reproductions do his paintings no justice whatsoever. Even his abstracted versions of landscapes capture a distinct feeling of what it's like to stand in a vast Australian landscape and feel the spaciousness.

More links to Fred Williams

Fred Williams official website: http://www.fredwilliams.me.com.au/index.html

The Creative Cauldron series of posts explores and showcases the visual styles, techniques, attitudes, ideas, artists and paintings that have had the most impact on me. 

The rest of the series is accessible via the Creative Cauldron page. Have a meander if you please, and remember to check out my artworks on Flickr, and have an insider peek at life as an artist on Facebook.