Sunday was the final day of the Buskers festival. This photo gives a much better idea of the crowds than my one from last weekend. It was also a long weekend, with Monday being a public holiday. True to my theory that selling art at markets works during festivals and holidays and not on ordinary market days, I had a great day (and so did the traders on either side of me). Funnily enough, the streets of Bellingen, renowned as a bit of a tourist drawcard, were basically empty on the public holiday despite the shops being open. There was no one on a long weekend getaway around. So I think it's safe to say the Buskers festival and not the public holiday was the magic ingredient.
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Panoramic view from my stall at the Coffs Harbourside market Buskers Festival weekend 2012 AFTER the crowds had gone |
In keeping with my plan to get out there and show my art to the world via selected markets over the next year or three, off I went and set up at Coffs Harbourside market last Sunday. It was both a glorious day and the first weekend of the Coffs Harbour International Buskers Festival.
What an awesomely entertaining day. Right in front of me for around six hours there was performer after performer. I couldn't see much through the crowds, but I got plenty of sound and atmosphere.
And in keeping with my theory that ordinary market days are no good for art sales while those coinciding with festivals or holidays are worthwhile, I am happy to report that it was indeed a worthwhile day.
Next weekend the Buskers Festival continues AND it's a public holiday on the Monday (Labour Day NSW), so I am definitely going to be back at the Harbourside market on Sunday.
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WhereFishSing at the September Bellingen community market 2012 |
Yesterday was Bellingen community market day. It was a gorgeous sunny day and plenty of people were out and about. However unlike the previous market which coincided with the Bellingen Jazz Festival, this was an ordinary market day.
As it turns out, as far as art at markets goes, this seems to matter.
I have only done a small number of markets so far and it may be too early to make a definitive call on this, but so far there is a crystal clear demarcation between ordinary market days and festival or special market days.
So far, festival or special market days are ten times more successful than ordinary days.
Leading up to christmas I'll continue to test this theory, and after that I think I'll be applying it rigorously. After all, market stalls are a huge amount of effort. While fun, they leave me exhausted. They do have to be worthwhile doing.
Speaking of which, I have come to the decision that on market days it is too much to expect of myself to do a daily drawing. The day is a super early start, filled with dashing busyness and ends in a fog of exhaustion.
So no drawing from yesterday, but a photo of my stall at the market instead.
Markets. In fine art circles this seems to be a bit of a dirty word. Artists seem to be expected to produce art for a year or so, pay for all of their living expenses, art materials, the cost of professional framing of all the works worthy of showing (and discarding all the failures), book an exhibition at least six months in advance and then either split the sale price of the art with the gallery or pay an exhibition hire fee and still split the sale price of the art. Is it any wonder the archetype of the starving artist is so widely known?
For artists early in their career under this model there is little choice but to starve or work at the art on the side. This is true even for mid career artists under this model.
But this model is not the only way. Artists can find ways to sell their work direct to the people who appreciate it. The internet is here. And so are Makers Markets.
I choose the new way. While I am early in my career. While my prices are still very very affordable. I choose to go to quality art and craft markets. To get out there, to meet and talk with the people who are taken by my art. The feedback is invaluable. The chats are fun! I get a chance to be in charge of my destiny instead of waiting to be 'discovered'. More people get to know what I do. I get a chance to make a living.
This past weekend was my first outdoor market experience. Bellingen Community Markets. There were a tonne of people, the weather was glorious and despite all the traders I spoke to saying the day was slow trading, I covered the cost of the stall and made a big dent in the costs of my preparation for outdoor trading. I'd had to purchase a gazebo, several trestle tables and numerous presentation bits and bobs. Another slow trading day and I'll be in the black on this front. The stall setup needs some tweaking to deal with gusts of wind. The layout will evolve to be more enticing and easy to understand at a glance. It wasn't a perfect start but it was a great step in the right direction.
I'll be back for more. Already I'm making inquiries regarding the Bellingen Growers Market, the Coffs Harbourside Markets and Port Macquarie Foreshore Markets. I may not end up at all of these. I may pop up at others as I discover and experiment. If you're on the mid north coast of New South Wales you are probably going to run into me at some point. My plan is to present my work at these higher quality makers markets for a year or three and see where it leads. It's not where I see myself in five or ten years time. It's a stepping stone up the ladder. At some point my work will be too expensive to sell at markets and other opportunities will arise to replace them. Until then, I'll see you on a grand day out in the sunshine, sipping coffee and wandering the stalls.
How to make a living as an artist? Take matters into your own hands.
It was an exhausting and successful weekend of art fair goodness, from which it has taken me three full days to recover. Bugger being an introvert - I can meet and greet and chat all day with people as well as anyone else, but when it's all over a recharge is not enough - I need a brand new battery!
Despite the tiringness, it was wonderful to meet so many people, to see people's reactions to the artwork and the cookbook concept (overwhelmingly postive) and to meet a bunch of likeminded local creatives.
Below are my photos from the event, previously published on FB.
Another roundup, including loads more photos of the event (and not written by me!) over at the Ballarat Independent: http://theballaratindependent.com.au/news/article/nanna-technology-and-artisan-craft-a-fine-mix
"Ballarat's talented artists and artisans were once again a feature over the weekend at the second Ballarat Artisan Festival. A wonderfully diverse array of work was on show with contemporary and traditional artworks, shoemaking, glass works, sculpture, cartooning, textiles and several other crafts... "
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All set up and in the swing of the fair. |
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A little bit of live painting is more interesting for everyone. |
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Early in the setup before the framed paintings started walking off the walls. |
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The crafty goodness of Grace By the Lake. |
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Jenny and Caron, of Grace By the Lake - very friendly faces. |
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Linda of South Street Art Studio with her meditation inspired works. |
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Linda runs both art and meditation classes at South Street Art Studio. She's a very supportive personality. |
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Christine Hickson, whom I was introduced to by several sets of people. Obviously we were meant to meet! |
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The exquisite watercolours of Christine Hickson. She needs an Etsy store as her work is gorgeous & people were loving it. |
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Pauline O'Shannessy-dowling with her intricate and wonderful works. |
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One of these large intruiging abstractish pieces is a prizewinner. |
Set up of my stall in progress for the Ballarat Artisan Fair |
Today has been consumed with the set up of my stall at the Ballarat Artisan Fair. This is the first time I've prepared for an art fair. It's taken several weeks to get everything together, from varnishing all the (70+) paintings, to sourcing gift bags (that never arrived!) to printing promotional material. Below is a list of everything I've been able to think of to take along or have prepared. I'll append it afterwards as there are bound to be new insights gained from participating in the event.
Table
- Trestle table or two
- Many markets require a white table cover, so get a white sheet or two, or something nicer such as velvet (not velveteen as it looks cheap) or satin or canvas
- Large butterfly clips for clipping tablecloth to table, and gaffa tape the same colour as the table cover for hiding the clips
- Clamps for backup clipping tablecloth to table
- A bucket or box as a bin for under your table is rather handy
Promotional material
- Business name banner with rope & eyelets and gaffa tape for hanging options
- Business cards
- Email list signup sheet on clipboard (essential!!)
- Pens for signup sheet, attached by string
- Postcards of artwork
- Photo books of artwork - show off more than you can bring on the day as interested people may ask for a commission based on what they see you are capable of
- Photo board of artwork - lots of artwork to choose from on the day but too many paintings to display at once? Show photo samples of your full range. Individual artworks can be shown on request.
- Artist statement for display, possibly laminated
- Price tags, ready and blank (who knows what will happen on the day and how many you will need)
- Nice paper to print out price tags and artist statement and any other small signage
Displaying artwork
- Figure out the stall design and layout first
- Builders level for getting frames hung straight (so good)
- Wire/hooks/picture hooks (a roll of fencing wire, some pliers and tin snips are super handy to make hooks of any size or strength)
- Framing wire (make sure it's rated to cope with more than double the weight your work weighs)
- Fishing wire to make a washing line artwork display (useful for giftcards and other small lightweight works)
- Sinkers to weight down display wire to make it stay taught
- Small bulldog clips x 24 for hanging unframed artwork washing line style (these are super handy)
- Cotton gloves for handling artwork
- Frames, ready to hang
- Pliers - fat and thin
- Hammer
- Wirecutters (tinsnips are far more effective than the scissor part of pliers)
- Screwdrivers - an assortment
- Masking tape
- Scissors
- Gaffa tape / cloth tape in colours to match your display elements
- Blu-tack
- Double sided tape
- Backboard/screen on which to hang artwork
- Window cleaner and paper towels for cleaning the glass & frames - essential
Storing artwork
- Portable box storage system
- Glassine paper for unframed artwork
Looking after me
- Portable music
- Lunch - no heating required, not messy
- Snacks - nuts, fruit, quick, not messy
- Water - have two litres
- Coffee, tea, hot drink in thermos or hot water plus bags/containers, milk
- Camping chair or something to sit on, plus a cover to make this presentable
Selling artwork
- Change from bank for cash sales
- Cash storage - bumbag or tin or wallet
- Credit card payment facilities - if not provided, take a laptop with easy access to the Paypal site, laptop power supply, powerboard and extension cord
- Certificates of authenticity - ready to print (take printer, extension cord and spare ink) or already printed out in doubles and take carbon paper
- Clip board with attached pen for filling out the COA's - very handy
- Packaging for sold artwork - precut cardboard sleeves / boxes or gift bags and bubble wrap
- Phone, charged up
- Red dot stickers
- Paintings, varnished and framed
- Pencils
- Pens
- Notepads
- Packing tape
- Regular stickytape / sellotape
If you're an artist and have useful notes to add from your experiences of art fairs, please enlighten the rest of us in the comments.
More art technique articles
And remember to check out my artworks on Flickr, and have an insider peek at my life as an artist on Facebook.